HoodedHawk

Today’s XKCD strip fairly clearly explains why DRM (”Digital Rights Management” - i.e. Copy Protected)-hobbled media is bad. It’s also the reason I still get all my music on physical CD. Not only do I support the artist, but I can rip the music to mp3 (or any format I choose) and put the music on my home server. I can also take the music with me when technology changes (all I have to do is re-rip the music into whatever new format). Also, (barring the not-much-used superaudio and such formats) CDs have the highest quality music. Think “Master” recording. Most other formats (mp3, etc.) are “lossy”, meaning they are of lower quality than the original.

Let me make myself clear here. The comic above advocates Piracy. I don’t. The artists don’t get any support that way. I advocate buying CD’s or non-DRM digital files. But the comic is still funny. :)

Apple is aware of consumers’ distaste for DRM, which is why they make some of the music on iTunes available in “iTunes Plus” format - which is of higher quality and has no DRM. I think they charge $0.30 more per track for this. From what I can tell, all music on iTunes from EMI is available in the “Plus” format. Apple would gladly put all iTunes tracks in Plus format as well -but the only record company to give permission is EMI.

The evil Wal-Mart announced a month or so ago that it was taking down it’s DRM server. This meant that anyone foolish enough to have bought digital music from them would no longer be able to play that music if the computer they used ever crashed or was upgraded/replaced. This created such a backlash from the community that they recently changed their minds. But such a scenario will certainly replay itself in the future. So: Don’t buy digital music that has DRM.

Note that Wal-Mart’s solution initially offered to it’s users: Burn your music to CD and re-import it. Whoa. That would drastically reduce the quality. So why not get physical CD’s to begin with?

Just got back from the Motels’ concert at Ram’s Head, Annapolis, MD. Great show. Martha Davis is quite a character. I haven’t followed the Motels in recent years; Martha has obviously replaced a few of the original band members with some, er, younger players. Yep, they played “Only the Lonely” and “Suddenly Last Summer”, but also new songs such as “The Day That Won’t Go Away”, which Ms. Davis said was dedicated to Keifer and the show “24″. Fun!

After the concert Martha signed autographs for people, and seemed to have an interesting story for each person. She’s very nice and personable.

I went to see Suzanne Vega at Ram’s Head tonight (Tuesday). Great show; front row table at this intimate venue. I had never seen Ms. Vega live before and I can say she didn’t disappoint. She played songs from her first album (Suzanne Vega), through to her latest (Beauty and Crime). I really enjoyed myself (hey, they have “Genius Stout” on draft - made there).

I recorded the show on a Zoom H2 audio recorder. I just finished processing the first 17 songs of the set, and I have to say, the Zoom H2 in combination with Audacity on my MacBook really does result in good sound! Highly recommended. I’ve put three links below to mp3 snippets. They are saved as high quality VBR, so they are each about 1 MB. This is my first foray into “good” audio recording; I’ve avoided it in the past due to the cost of equipment. But the (relatively) inexpensive H2 has me hooked!

I had tried to record a Wilco concert recently at Tanglewood in MA, but that was a stadium concert, and I had set the gain too high (as well as playing with other settings), so most of the sound was clipped. This time I did more research, and left the gain on the low setting, and did not boost the “level” via menu options on the recorder. I also recorded at 48k/16bit, as my reading indicated that the “native” sampling rate of the ADC chip was 48k, not 44.1k. And 16bit was more than enough dynamic range. Also, it appears that all the “options” (and there are many) available on the recorder are done in the digital domain, *after* the source is recorded by the ADC chip. So post-processing on the computer will accomplish the same thing. Thus, I left things as “raw” as possible for the recording and I processed the files in Audacity, increasing the gain there to normalize, and split the large sound files into smaller individual song tracks. Note that iTunes read in the 48k sample tracks just fine, but when I tried to burn a cd via Toast, the sound was icky. I guess I’ll have to export as resampled 44.1k files to burn to cd. Anyway, the snippets are below:

Frank and Eva snippet
Pornographer\’s Dream Snippet
The Queen and the Soldier snippet

Kirsten and I had a great evening this past Saturday. We had dinner at Butterfield 9 in Washington D.C., before walking a block to see David Russell perform classical guitar at the Church of the Epiphany.

The dinner was great. The restaurant has a nice ambiance - quite elegant. Kirsten started her meal with the Longneck Squash Soup (goat cheese, roasted pancetta, and apple compote) - “Delicious”. She then had a 1/2 plate of the Carnaroli Risotto (glazed butternut squash, swiss chard, and black truffle) - “Delicious.

I had the “Chocolate Steak” (New England Elk, creamed parsnips, bitter chocolate, fleur de sel). The waiter said that elk tastes a bit like venison. That would be a good comparison, except that I have never had venison (that I remember). I figured I’d give it a try. Cooked medium-rare, the elk was melt-in-your-mouth delicious. It was coated with cocoa, making for a slightly crispy crust, while the bitter chocolate sauce under the steak was a neat complement; it definitely enhanced the flavors. My only issue was the size of the portions (small). Also, I was glad I ordered “Truffle potato puree” on the side, because what came with the steak was basically a garnish, and not a real side dish(es). The puree was delicious as well, though I would have preferred a more firm “mashed” potato side.

Neither Kirsten or I cared much for the “creme brulee” desert, as it was not a “classic” version; we would not have recognized it as creme brulee if not stated on the menu. It had a sort of “cookie” crust rather than caramelized sugar. The raspberry sorbet on the side with it was good.

Butterfield 9 is only a block from the church where the concert was held, so we used valet parking at the restaurant and picked up the car after the concert.

The concert was very enjoyable; just Mr. Russell on a slightly raised platform at the front of the church with no amplification. I could hear the guitar just fine, but I had difficulty hearing his intros clearly (also partly due to his Scottish brogue :) ). The pews were hard to sit on for 2 hours (we were glad for intermission). The music however was great. We had been listening to his Bach and Baroque cd’s - but he didn’t play any of those pieces. I greatly enjoyed most of his pieces with the exception being the one that was actually written for him by a contemporary. Oh well.

Brandon and I went to see Carbon Leaf last Thursday (Dec 13, 2007) at the 9:30 Club in DC. Carbon Leaf is a local (Virginia) band, and has about 6 albums out. Only the last two CD’s have had national exposure. I only recently heard of them while browsing on iTunes. I grabbed Indian Summer and loved it.

This was Brandon’s first concert and the band didn’t disappoint. He wasn’t very into the warmup band and spent that time watching a movie on my pda. However, once Carbon Leaf came on and started playing his expression changed and he had a good time. The band allows recording, so I videotaped the concert (at left is a still). Very enjoyable! I definitely recommend seeing them live.

Kirsten and I went to see 33 Variations Sunday night at the Arena Stage in Washington, DC. The play, written and directed by Moisés Kaufman, is about a present-day musicologist (Katherine, played by Mary Beth Peil) who (despite her daughter’s objections) travels to Bonn for research on Beethoven’s 33 Variations on a waltz by Anton Diabelli. The daughter, Clara (played by Laura Odeh) begins an initially awkward relationship with her mother’s (male) nurse Mike (played by Greg Keller) and they both eventually follow her mother to Bonn.

The staging of the play is great - for example while a librarian in Bonn is showing Katherine a manuscript of some of the variations, the stage behind the actors shows a projection of the manuscript, with the portion of the text highlighted. Musical accompaniment on stage is by Diane Walsh on piano - she times the music perfectly with the performers. The music is great (hey, it’s Beethoven!), and I picked up a CD by Diane Walsh while there.

The play is at times poignant, as mother and daughter come to terms with the mother’s wasting disease - and at times hysterically funny, as when Clara and Mike go out on a first date.

I really enjoyed this play (as did Kirsten) and highly recommend it. It runs through September 30, 2007.

Apple has inked an agreement with EMI that will let them sell high quality versions of songs without copy protection. EMI will be releasing their catalog DRM (Digital Rights Management)-free. Yep, that means that finally you can download a song in iTunes, and use it on as many computers or devices as you want, or convert to other formats with no restrictions.

The DRM restrictions have been the main reasons that I have only purchased about 5 songs on iTunes - such songs only work on 3 computers and your iPod. My music at home is stored on a Linux box and served up to my stereo via Tivo. I buy CD’s and convert the music to mp3’s myself. The other reason I have purchased few songs via iTunes was the low quality of purchased iTunes (or other online) songs vs. those I can create myself from CD’s.

With this new development, I can now purchase individual songs, in high quality (256-bit AAC vs. the lower quality 128-bit AAC offered to date), with no DRM. Yes, I’ll have to convert them again to mp3 to listen via Tivo, but that’s a more viable option now with a higher-quality original. Now I can get high-quality *individual* songs - to date I’ve had to purchase an entire CD even if I wanted a high-quality version of only a single track.

Each song will cost $0.30 more in the DRM-free/high quality version ($1.29 vs. $0.99). What is also a real cool deal is that you can upgrade your currently purchased music to the high quality version for the $0.30 difference - so you can maintain your investment in iTunes.

Apple will also continue to offer the lower-quality, DRM (protected) versions of songs for $0.99, so those that don’t care about anything but price won’t be charged more. This also means that Apple’s competitors won’t have a price advantage.

This is due to happen in May, 2007.

Kirsten and I went to see Vienna Teng (a “Singer, pianist, and songwriter working in a pop folk style”) this Wednesday night at Rams Head Tavern in Annapollis, MD.

I’ve been listening to two of her cds, Warm Strangers (2004), and Dreaming Through the Noise (2006) for awhile now at work, and I really enjoy her work.

Vienna played for about 90 minutes, and sounded great. She had a cello and violinist accompany her. A couple of her songs I hadn’t heard before, but she played most of the ones I was familiar with. We had a great time - the concert was great, and if you get a chance, definitely see her live.

The opening act was Adrianne Gonzalez (on right), who did an acoustic guitar set of about 20 minutes. She was also quite good, and I grabbed one of her cd’s after the set (she signed it for me). Her stories from the road were quite entertaining as well.

Venue:
Rams Head Tavern is a small venue (seats about 250 in the stage area), and we were off to the left of the stage. Unfortunately that meant we were staring at Vienna’s back all night as she played the piano. The tables are *really* small, so unless you want real intimacy with your tablemates, eat in the restaurant before - the narrow tables only support 2 diners, though they seat 4 (more appropriate for drinks and maybe chips). The sound/acoustics were very good, though at times the noise of waitstaff filling glasses with ice overshadowed softer passages. They really should close off that kitchen area better.

Food:

We made reservations for dinner before the show in the larger RamsHead restaurant (onsite). I like the atmosphere - sortof an upscale brewpub, with brick walls and nice tables. I had a “Genius Stout” which was quite good, similar to Guinness. However, I was not as impressed with my meal as I had hoped from the description:

“GM Filet”: 8 oz center cut Filet Mignon enveloped with puff pastry, topped with Mousseline pate and a green peppercorn demi-glaze. Served with a side of garlic mashed potatoes.

Sounds good, right? Well, while the steak was perfectly cooked (medium-rare), it was not “enveloped” with puff pastry; I had been expecting a “beef wellington” type of pastry/meat. Instead, the steak was sitting on top of a flat, squashed pastry. The pate tasted like bland liverwurst, and was too soft. The demi-glaze was uninspired. Overall the dish was quite tasty, but mostly because the steak itself was such a great piece of meat. I didn’t notice until the end of the meal (we were hurrying to get to the show) that I never received any mashed potatoes. Bummer. The salad with honey-mustard dressing was good (mixed greens were crisp and fresh).

I’ll definitely go back, but I’ll probably choose a more pedestrian meal. I’ll be having the Genius Stout again, though!

I picked up a new Jazz CD yesterday, “Thelonious Monk Quartet with John Coltrane at Carnegie Hall“. Seems that a ~50 year old recording of this live 1957 concert was “lost” and recently (this year) “found” by a jazz specialist at the Library of Congress. There are only a few recordings of Monk and Coltrane together, and most of the others supposedly are of lower audio quality. This recording is remarkable, however. The sound on the CD is just superb - and it is from a 50-year old tape! I just love this CD; highly recommend you check it out if you like jazz. I’m not a jazz expert (I just “know what I like”), but from all the glowing reviews, this is big. The link above takes you to the Bluenote site with more history.

Saw Jane Monheit at Birchmere tonight. She is awesome! Kirsten and I really enjoyed her show. Such a lovely voice! She sang for about 90 minutes, doing a lot from her latest album, “Taking a Chance on Love”, her previous albums, as well as some unrecorded songs. One of the songs was first performed live (by her) tonight; it was by a Brazilian artist, and in Portuguese (”I have no idea what the words mean, but it sounds so lovely!”)

After the show she came offstage and did a signing. She signed our ticket stubs as well as my notebook. She commented on my Moleskine notebook - “Is this a moleskine? I can’t live without mine!”. So there you go; it must be cool to carry one around :) . Had I known she’d be signing, I would have brought my cd with me! Birchmere only had a few copies of cd’s in their shop. BTW, Birchmere (in Alexandria, VA) is a great music venue. It’s sort of like a huge dinner theater - holds a lot of people, but the acoustics (and seating) is great. Good food too (try the chicken enchiladas). Get there a bit early if you want a table near the stage…

(picture from my camera phone - but better than nothing!)